前身是皇軍軍港(gǎng )的吳港,戰後成(🏽)為船塢工人的生活煉獄。在資(🤢)本(🤴)家剝削(xuē )和枯燥生活的雙(shuāng )重(chóng )煎熬下(🗼),躁動(💤)的年輕生命,一頭栽(zāi )進暴(🏇)力(♑)漩渦,延擱成(chéng )長(🕔),終日(rì )(🎩)在打(dǎ )鬥、賭博、酗酒中(zhōng )尋(🔲)找暫時的麻醉(🐖)。吉田(tián )(📞)喜(xǐ )重(🎫)通(🥞)過工頭之眼(yǎn ),對(🚸)不合理(lǐ )的社會現實作出欲(yù )迎還(hái )拒的批(🧚)判,被(bèi )視為日本新浪潮代(dài )表作之一。香山美子飾演純真的酒館女待,同(🤸)情工人(㊙)卻(què )慘(cǎn )被(bèi )強姦,正與負(fù )的能(🥫)量,在大時(🚻)代中比拼互(💠)滲(👺),可(🏯)有超(chāo )越對與錯,是與非(fēi )的位置?片末(🈁)火車(💝)站送別(🏉)一場,在家和社會(🦇)之(zhī )間(jiān ),吉田喜重作(🐨)出(👪)了左翼(🃏)的選擇(🌼)。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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